Episode 4: Blah-nonymous

Hoboy. We rounded out Vanessa Redgrave May with the truly terrible 2011 conspiracy-theory-disguised-as-a-serious-film, Anonymous. To say we didn't care for it would be generous.

Throw some respect on my name, Roland Emmerich.

Throw some respect on my name, Roland Emmerich.

A few things to note about this stinker (and other ephemera from this episode): 

Lindsay's take: 1 out of 5 terrible lace-fronts (and that 1 is only because of Vanessa and Joely's dopeness). Cannot get over the fact that they portrayed Elizabeth— an accomplished and intelligent statesman— as a giggling schoolgirl. Just too insulting for words.

Molly's take: How does one evaluate a movie based on a complete farce? Like, if in 600 years, someone srsly made a movie purporting that Hillary Clinton was a lizard person, would I want someone to even take the time to evaluate it? Just some pickled herring and mead for thought, I suppose. I give this movie 1 out of 5 Elizabethan ruffs. 

Episode 3: Clarissa Explains It All

This week we continued Vanessa Redgrave May (and yeah, wiseacre, it's now July, wanna fight about it?) with 1997's Mrs. Dalloway. In addition to our girl Ness, this one also had one Ms. Cersei Lannister (Lena Headey), which is always a real treat.

I said I'd get the damn flowers myself.

I said I'd get the damn flowers myself.

A few notes: 

Lindsay's take: 3 out of 5 feathered hats. Vanessa did a dope job as usual, but this may just be one of those stories that's a little better as a book. 

Molly's take: 3.5 out of 5 flower arrangements. Vanessa Redgrave's cheekbones. Lena Headey's cheekbones. Lovely smiles. A relatively true to text adaptation. An investor losing the house over this movie. You really gotta give it to them.

Episode 2: Camp-a-lot

This week, we continue our journey through Vanessa Redgrave's best with one of our childhood favorites: 1967's musical romp-turned-tragedy, Camelot. Watching it as an adult 50 years after its release, we found some pretty gaping plot holes, but we think Richard Harris's guyliner and Vanessa's unbelievably luxe knitwear more than make up for it. 

What do the simple folk do tho?

What do the simple folk do tho?

A few notes:

Lindsay's take: 4 out of 5 cowl-necked wool gowns. The whole last 30-45 minutes is a great time to double-screen, if you happen to be into that sort of thing. 

Molly's take: 3.5 out of 5 petty knights. It feels wrong to give this movie a lower than perfect rating but if I can get real, I can't really handle the second act. 

Episode 1: Wilde-in' out

Happy Vanessa Redgrave appreciation month, everyone! 

For our inaugural episode, we watched the 1997 film Wilde, starring Stephen Fry, Jude Law, Jennifer Ehle, Vanessa Redgrave, and literally every other British actor that was available that week. 

A few things we mentioned in the episode (and a few we didn't), if you want to look into it:

  • The Victorian prison philosophy was way harsh. This page is about a jail ("gaol") in Melbourne, but it expands a little on the depressing prison imagery you see in the film, including that terrifying mask. 
  • Oscar's childhood sweetheart Florence Balcombe married Bram Stoker, who was apparently an acquaintance of Oscar's in their college days. He also visited Oscar on the continent after he was released from prison.
  • John Gray was such a pretty young thing. After his relationship with Oscar ended, he became a priest and maintained a chaste life partnership with Marc-Andre Raffalovich, a writer and early defender of homosexuality. The two of them died within 4 months of one another. :'(
  • Robbie Ross was close friends Cyril and Vyvyan Wilde after their father's death. His ashes were moved to Oscar's tomb on the 50th anniversary of Oscar's death. 
  • Bosie was drama right up until the end. He married a lesbian named Olive Eleanor Custance and they had a kid together. He also became vocally anti-semitic in his later years.
  • Lindsay lied. The nasty kissing clip from TLC's gone-too-soon Virgin Diaries is totally available online.

Lindsay's take: 3.5 out of 5 peacock feathers. For a movie with a funny guy playing one of the brightest wits ever, it was surprisingly sad. But then I guess that's probably pretty true to the life of a gay genius in Victorian London. 

Molly's take: 4 out of 5 peacock feathers. This movie had it all: historical accuracy, women talking about trousers, rentboys. I'm docking it a peacock feather because I never learned the Michelle Visage character's name and also I had to hear that quip about alcohol several times.