Episode 18: DEAD DOVE, Do Not Eat!

Rounding out Bec the Halls November, we watched The Prestige. This one is honestly just so good and so labyrinthine (hey-o, Bowie pun!). Even though I'd seen it a few times several years ago, there were still some details that surprised me all over again. 

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(If it's been a few years since you watched Arrested Development, the title of this episode came from a great visual gag after Buster kills a dove he purchased for an illusion.)

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NEXT WEEK: The episode about Behind the Candelabra we recorded several months ago! If you need a refresher, you can check it out on HBOGo. 

Episode 16: Blunderbuss Cuttlefish at it again

This is our second David Nichols film and our third Rebecca hall joint, and boy... this is movie just a good-ass time. Catherine Tate serving you the delightful 80s English mom to James McAvoy's college freshman son, Bumblebee Coffeecake in a shocking turn as the collegiate version of every uptight dweeb he's ever played, and Rebecca Hall giving you unreal levels of cool and chic liberal college activist. 

If you haven't treated yourself to a viewing of this charming movie recently (or ever), I can't recommend it highly enough. It's a balm for these trying times. 

Honestly, college boys are such trash and so beneath me it's just insane.

Honestly, college boys are such trash and so beneath me it's just insane.

Episode 15: Frosted Nixons

This week we're kicking off Bec the Halls month. To be honest, we filmed this one a whiiiile back, so the order for a few weeks is going to be a little wonky. Bear with us.

At the end of this one, we said the next episode would be Behind the Candelabra. It was the next one we recorded, but it won't be the next one published, ya dig? You're a smart gal, you can handle it. 

Anyway, the actual next movie we'll be discussing is David Nichols' Starter for 10, which is a heck of a good time if you haven't already seen it. Get into it, berb.

Why is our girl Rebecca the only female character in this film? Stay tuned.

Why is our girl Rebecca the only female character in this film? Stay tuned.

Episode 11: Sweenathan Todd

This week we watched the umpteenth collaboration from Hot Topic's favorite trio: Tim Burton, Helena Bonham-Carter, and Johnny Depp. Alan Rickman, Timothy Spall, Jamie Campbell-Bower, and a few other people whose names we've already forgotten round out the cast. Fake blood abounds. 

Don't talk to me before I've had my coffee, amirite?

Don't talk to me before I've had my coffee, amirite?

Episode 8: The Gender-Blind Crucible

This week we watched the 1996 film adaptation of an Arthur Miller play, The Crucible. Our girl Wino 4Ever serves an excellent performance here (as usual), even though it's a little odd for her to have played a 17-year-old two years after she played Jo March at various ages. The 90s were an odd time for portraying teenagers onscreen. 

Hell hath no fury like a pissed-off teenager.

Hell hath no fury like a pissed-off teenager.

In the episode, we look into the obvious ties between this story and the red scare Arthur Miller was living through when he wrote the play, as well as the historical accuracy and feminist implications of the story, but we'll keep the show notes pretty pithy.

Here are a few fun Crucible-related things you should look at: 

Episode 7: Nobody's Got No Class

In case you were wondering, yes, 2003's Chicago holds up (more or less), and we're every bit as delighted to see Christine Baranski as we were 14 years ago. Here are a few notes about the movie and the real-life events that inspired it: 

  • Once again, we have a movie that won the Oscar in a year of CONTENDERS. This movie beat out Gangs of New York, The Hours, The Pianist and one of them li'l Hobbit movies y'all seem to like.
  • Did you know Chicago the musical is based on a play written by Maureen Dallas Hopkins, who was basically Xtine Baranski's character IRL? When Maureen Charleston'd off this mortal coil, she was worth $31 million in today's money.
  • To piggyback on that, Velma and Roxy were also based on real women. Read up on Belva Gaertner and Beulah Annan (Velma and Roxy respectively) on Wikipedia. It's a wild ride, sug. 
  • Actual words from Belva (Velma): "No woman can love a man enough to kill him. They aren't worth it, because there are always plenty more. Walter was just a kid—29 and I'm 38. Why should I have worried whether he loved me or whether he left me? Gin and guns—either one is bad enough, but together they get you in a dickens of a mess, don't they?" Your fav couldn't and wouldn't ever.
We out here. 

We out here. 

Episode 6: Mona Lisa Smize

This week we watched a real Sherman sisters fave: Mona Lisa Smile, starring a bunch of apple-cheeked angels who look like they could be related to us. Here are a few notes:

Bitch, who told you about me and William Holden?

Bitch, who told you about me and William Holden?

Lindsay's take: I mean honestly, what's not to like? I loved this movie in 2003 and I love it now. I give it 5 out of 5 Venus of Willendorfs. 

Molly's take: Look, this isn't Revolutionary Road. She's not trying to get an Oscar but I LOVE HER. 5 out of 5 paint by number Van Goghs.

Next week we'll be watching another banger from Lindsay's high school days: Chicago. Watch it on Netflix to refresh your memory, if you're so inclined. 

Episode 5: Oscar in Error

This week we watched the Oscar-winning 1998 rom-com Shakespeare in Love.

Despite what Molly referred to as the "matching chips on our shoulders" about this movie, we actually enjoyed it. It's just that our sense of right and wrong prevents us from getting all the way to fandom, since there was another Elizabethan-era film from the same year that got passed over that is FULLY ICONIC in our minds.

'memba when GOOP beat Cate Blanchett? CATE. BLANCHETT? AS ELIZABETH?! 

'memba when GOOP beat Cate Blanchett? CATE. BLANCHETT? AS ELIZABETH?! 

Here are a few notes from this episode/generally about this movie: 

 

Lindsay's take: 4 out of 5 STOLEN OSCARS. I do have to admit that this one is still a good time, even though my loyalties will ever lie with Elizabeth. The soundtrack to this one is also p good. 

Molly's take: It's good. It's good. IT'S NOT AN OSCAR MOVIE. 4 out of 5 Joseph Fiennes' Lash Magic Extensions For Men.

(Next week we'll tackle the 2003 banger Mona Lisa Smile, in case you want to watch ahead of time.)